But, while in town, he irritates a couple of patrons - and when they attempt to shake him down on his way out, he winds up killing them both: one accidentally, and then the second with cruel pragmatism. He’s there looking for his sister, who seems to be long gone. It’s also home to the sleaziest Star Wars location we’ve seen in a minute if Mos Eisley and Mos Espa are full of dusty dive bars, the club Cassian visits in the opening minutes of the episode is more Red Light District, later described as a brothel. We join him poking around on Morlana One, a “company town” controlled by some sort of corporate entity that’s in bed with the Empire the place has rent-a-cop-on-a-power-trip vibes. Perhaps because of Cassian Andor’s billion-dollar demise ( Rogue One isn’t the highest-grossing Star Wars, but it did alright!), the first episode of Andor lets him play his cards close to his chest. ![]() It’s equal parts creative experiment and savvy self-marketing of that experiment: Here are some new corners of the galaxy to explore, on our way to a well-documented destination. Andor also feels like a pivot from the Stagecraft sets, Clone Wars expansion, and pandemic-era minimalism of recent Star Wars TV - a bid to show that the franchise can accommodate more subtlety than Boba Fett riding a rancor. It’s another prequel for the middle-aged fans who hate the prequels, and most of the sequels, and the cartoons, and most other Star Wars stuff made after 1980 that’s not Rogue One. Now, Disney+ has commissioned the serious-minded Andor, a fan-service backstory of Diego Luna’s Rogue One character, for viewers who claim to not want fan-service backstory - or at least regard it with suspicion. With Rogue One, Disney placated the exact fans who grumbled about the colorful silliness of the George Lucas Star Wars prequels by giving them a prequel. Though it wasn’t immune to the behind-the-scenes tinkering that’s plagued all of these movies (save, interestingly, the divisive high-water mark The Last Jedi), the story of how the crucial Death Star plans came into the hands of the Rebel Alliance turned out to be an older-audience crowd pleaser, downbeat ending and all. There’s a case to be made that, as it stands right now, Rogue One: A Star Wars Story is, broadly, the most beloved Star Wars movie of the 21st century.
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